Carnatic Music Theory Books In English Pdf
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A Carnatic scale is represented in this system as a sequence of notes on a scale of a given scale type. Each Carnatic scale has a distinct representation. The set of possible notes in a scale is determined by the instruments that can be used to play that scale in a specific performance. The set of possible pitches of a scale is determined by the number of pitches that can be played on a given instrument. The set of possible keys on a piano keyboard is determined by the number of keys on that instrument. So, each scale type has a unique representation. Each of these representations was computed offline from a knowledge base. The computed representations are stored for future use.
Music representation system should be efficient to compute and store. The system should also be flexible to accommodate a variety of representations. And, important to the application of the system in other applications, the system should be decodable. This system is designed to fulfill all of these criteria.
The proposed system represents music as structured symbolic representations where the musical events are represented by musical symbols and are related to each other through mathematical equations. This representation is a data structure, in the sense that the musical symbols can be related to each other and to the musical structure of the original music in a manner similar to relations in a relational database or objects in a programming language.
A typical example of a musical notation is the Western note-head notation where each note is represented by a symbol or dot placed over a particular position in the music score. A musical score can be viewed as a table of symbols representing notes. Each symbol is assigned a unique number starting from one. For example, the symbol 'C' can be represented by the number 1, the symbol 'D' by 2 and so on.
The approach adopted in this work is also more theoretical in nature, and is inspired from Music Theory. Hence, it can be said that the proposed system is more in line with basic music theory concepts, rather than traditional notation, which is essentially a recording technique. This might also explain the fact that the proposed system, although native to a regional (South Indian) music tradition, is not exclusively Indian, but is based on principles of European music theory, which was prevalent in the European music tradition during the last 500 years. The Indian music theory, which was primarily based on the textural aspects of performance and composition, evolved from ancient Indian musical notations only in the last few centuries, and still has not adopted the western notation approach.
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