No Time To DieHD CLICK HERE ===> https://bytlly.com/2tlxMt After being delayed by Boyle's departure and later by the COVID-19 pandemic, No Time to Die premiered globally at the Royal Albert Hall in London on 28 September 2021. It was released in cinemas on 30 September 2021 in the United Kingdom and on 8 October 2021 in the United States. The film received positive reviews and grossed over $774 million worldwide, making it the fourth-highest-grossing film of 2021. In addition to this, it had earned several other box-office record achievements, including becoming the third-highest-grossing film of all time in the UK. The film was nominated for three awards at the 94th Academy Awards, winning Best Original Song, and received numerous other accolades. In February 2018, Danny Boyle was established as frontrunner for the directing position.[52] Boyle's original pitch to Broccoli and Wilson saw John Hodge writing a screenplay based on Boyle's idea with Purvis and Wade's version scrapped.[53] Hodge's draft was greenlit, and Boyle was confirmed to direct with a production start date of December 2018.[54] However, Boyle and Hodge left in August 2018 due to creative differences.[55] It was reported at the time that Boyle's exit was due to the casting of Tomasz Kot as the lead villain; however, Boyle later confirmed the dispute was over the script.[56][57] The release date became contingent on whether the studio could find a replacement for Boyle within sixty days.[58][59] Cary Joji Fukunaga was announced as the new director in September 2018.[60][61] Fukunaga became the first American to direct an Eon Productions Bond film and the first director to receive a writing credit for any version.[62][b] Fukunaga had been considered for Spectre before Mendes was hired, and afterwards had expressed an interest to Broccoli and Wilson about directing a future Bond film.[65] Linus Sandgren was hired as cinematographer in December 2018.[66] Purvis and Wade were brought back to start working on a new script with Fukunaga in September 2018.[65][67] Casino Royale and Quantum of Solace screenwriter Paul Haggis turned in an uncredited rewrite in November 2018,[68] with Scott Z. Burns doing the same in February 2019.[69] At Daniel Craig's request, Phoebe Waller-Bridge provided a script polish in April 2019.[70] Waller-Bridge is the second female screenwriter credited with writing a Bond film after Johanna Harwood co-wrote Dr. No and From Russia with Love.[71][c] Barbara Broccoli was questioned about the MeToo movement at the Bond 25 launch event, where she stated that Bond's attitude towards women would move with the times and the films should reflect that.[71] In a separate interview, Waller-Bridge argued that Bond was still relevant and that \"he needs to be true to this character\", instead suggesting that it was the films which had to grow and evolve, emphasising \"the important thing is that the film treats the women properly\".[74][75] When Boyle was hired, he pitched the film to take place in present-day Russia and explore Bond's origins; he left the production after Broccoli and Wilson \"lost confidence\" in the idea.[86] During Boyle's time, a leaked casting sheet described the male leading role as a \"cold and charismatic Russian\" and the female leading role as a \"witty and skillful survivor\". Production also sought male supporting roles of Māori descent with \"advanced combat skills\".[87] The idea of Bond having a child was introduced by Hodge and retained for the final script.[86] No Time to Die is the first Eon-produced film in which Bond actually dies. Craig first proposed killing Bond in 2006, after the premiere of Casino Royale; Broccoli agreed to the suggestion. Craig said, \"It's the only way I could see for myself to end it all and to make it like that was my tenure, someone else could come and take over ... When he [Craig's Bond] goes, he can't come back.\"[5] Wilson said it was \"the fitting way to deal with a situation where a person is risking their life all the time. Eventually, the odds catch up with you.\"[5] The production team considered several ways for Bond to die, including being shot by an anonymous shooter. However, Fukunaga said that a \"conventional weapons death\" felt inappropriate considering that Bond had been able to \"escape from everything else\". Craig said the team tried to create a sense of tragedy and weight by using Safin's bioweapon, which killed \"the only thing that Bond wants in life ... to be with the people he loves\".[5] After Spectre, there was speculation that it would be Craig's final Bond film. Immediately after the film's release, Craig had complained about the rigours of performing the part, saying he would rather \"slash [his] wrists\" than play Bond again.[89] In May 2016, it was reported that Craig had received a $100 million offer from Metro-Goldwyn-Mayer to do two more Bond films, but turned it down.[90] In October 2016, Craig denied having made a decision but praised his time in the role, describing it as \"the best job in the world doing Bond\". He further denied that $150 million was offered to him for the next two instalments.[91] Eventually, Craig was paid $25 million for his involvement.[92] In August 2017, on The Late Show with Stephen Colbert, Craig said that the next film would mark his final appearance as Bond.[6][93] His position was reaffirmed between November 2019 and March 2020.[94][95] Craig later acknowledged that the physicality of the part had deterred him from returning to the role, having sustained injuries shooting earlier Bond films.[96][97][98] With Craig's departure, Broccoli said that No Time to Die would \"tie up loose narrative threads\" from Craig's previous Bond films and \"come to an emotionally satisfying conclusion\".[65] In December 2018, Fukunaga said that Ben Whishaw, Naomie Harris and Ralph Fiennes would all be reprising their roles in the film.[11] Fukunaga also said that Léa Seydoux would be reprising her role as Madeleine Swann, making her the first female lead to appear in successive Bond films.[11] Rory Kinnear returns as Bill Tanner, as does Jeffrey Wright as Felix Leiter.[31] Wright makes his third appearance in the series after Casino Royale and Quantum of Solace and becomes the first actor to play Leiter three times.[99] Ana de Armas, Dali Benssalah, David Dencik, Lashana Lynch, Billy Magnussen and Rami Malek were announced as cast members in a live stream, at Ian Fleming's Goldeneye estate in Jamaica. The event was on 25 April 2019 and marked the official start of production.[31][100] Malek was further announced as playing Safin, the film's villain.[101] Malek revealed in an interview that Safin would not be connected to any religion or ideology.[102] In July 2019, Dan Romer was announced as composer for the film's score, having previously worked with Fukunaga on Beasts of No Nation and Maniac.[152] Romer left the film due to creative differences in November 2019.[153] Hans Zimmer replaced Romer by January 2020.[154] It is the first time in the Bond series history that a composer has been replaced during post-production, and the second major personnel change for the film after Boyle's departure.[155] Steve Mazzaro produced the score, while Johnny Marr played guitar. The No Time to Die score album was set to be released through Decca Records in March 2020 but was delayed to 1 October 2021 to coincide with the release of the film.[156][157] The song \"Dans la ville endormie\" by French singer Dalida is heard briefly in the opening scene.[163][164] Louis Armstrong's version of \"We Have All the Time in the World\" is a recurring theme included three times within the score and originally appeared in On Her Majesty's Secret Service, recalling both love and loss experienced by Bond following a similar poignancy in this film.[165] The track is played in full during the closing credits.[166] Barry Hertz of The Globe and Mail wrote that the film \"makes sure that my eyes are following each and every oh-whoa stunt. As well as guaranteeing that I actually care about whether (or, really, how) Bond gets out of this one.\"[243] Mick LaSalle of the San Francisco Chronicle wrote that the film \"takes its place among the best of the entire series\", and concluded \"Craig leaves the series in a mammoth, 163-minute extravaganza that audiences will be enjoying for decades. It's a lovely thing to see.\"[244] K. Austin Collins of Rolling Stone described the film as being \"just fine: sometimes intriguing, sometimes not, sometimes boring, sometimes not\", adding: \"It's a bit more successful if we think of it instead as a tribute to the Craig era, and to the star himself.\"[245] Michael O'Sullivan of The Washington Post gave the film 3/4 stars, writing that it was \"a bit too long and a bit too complicated\", but added that it was \"also a fittingly complicated and ultimately perversely satisfying send-off for the actor\".[246] Peter Rainer of The Christian Science Monitor gave the film 3/5 stars, writing: \"It offers up the requisite thrills, stunts, and bad guys. Beautiful people abound, and 007 still knows how to fill out a tux.\" However, he questioned \"Has James Bond become irrelevant\"[247] Conversely, some critics found fault with the film. John Nugent of Empire criticised its length (2 hours and 43 minutes), asserting that the plotting and exposition in the middle third \"doesn't justify that heaving runtime\". Nevertheless, he thought the film \"a fitting end to the Craig era\".[248] Kyle Smith of National Review also criticised the film's length, and described it as \"the least fun and most somber excursion in the entire Bond series\".[249] Clarisse Loughrey of The Independent found it uneventful and disappointing: its core premise of a biological weapon of mass destruction was described as \"generic spy nonsense\", while she felt that Rami Malek \"gives almost nothing to the role beyond his accent and stereotyped disfigurement makeup\".[250] David Sexton of New Statesman wrote that the film \"shows signs of emerging from an over-deliberated, market-sensitised production process\", adding: \"It delivers the set-pieces without ever trying to connect them with any urgency, almost like an anthology or re-mix.\"[251] Brian Tallerico of RogerEbert.com gave the film a score of 2/4 stars, writing: \"For something that once felt like it so deftly balanced the old of a timeless character with a new, richer style, perhaps the biggest knock against [the film] is that there's nothing here that hasn't been done better in one of the other Craig movies.\"[252] 59ce067264 https://www.morrisarbcommunitygarden.com/group/interested-in-a-plot/discussion/0f218b55-6f8d-46a3-88a0-b0528958352b

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Turned Into A Girl By Magic Story CLICK HERE https://urlin.us/2tlvDI The story was first translated into English by Edgar Taylor in 1826, then by many others, e.g. by an anonymous community of translators in 1865, by Lucy Crane in 1881, by LucMargaret Hunt in 1884, etc. Andrew Lang included it in The Blue Fairy Book in 1889. Meanwhile, Conrad goes to the king and declares he will not herd geese with this girl any longer because of the strange things that happen. The king tells him to do it one more time, and the next morning hides and watches. He finds everything as Conrad has told. That evening, he asks the princess to tell him her story. But she refuses to say anything because of her oath. The king suggests that she might tell everything to the iron stove. She agrees, climbs into the stove and tells her story while the king listens from outside. As the king is convinced she has told the truth, he has the goose girl clad in royal clothes. He then tricks the false princess into \"choosing her own punishment\". While each choice is different in each version of the story, in the classic version, she tells the king that a false servant should be dragged through town naked in a barrel with internal spikes. As a result, she is punished that way until she dies. The story uses the false bride plot with a good-hearted princess being seized by her maid and turned into a common goose girl. It is similar to other AT-533 tales like the American \"The Golden Bracelet\".[2] These motifs are also found, centered on a male character, in The Lord of Lorn and the False Steward[3] (Child ballad 271) and the chivalric romance Roswall and Lillian.[4] Spoilers for the film Turning Red. Thirteen-year-olds have to deal with a lot. It's a time when young people discover their own tastes and become more independent from their families, all while going through puberty. And sometimes, a mother will embarrass a girl so hard that it activates the family curse, turning the girl into a giant red panda. Ming confusing Mei's transformation for the onset of her period was no mistake. The giant red panda is an allegory for puberty, and has been from the beginning of the film's inception. \"I pitched it as a girl going through magical puberty,\" Shi told the Los Angeles Times (opens in new tab), adding, \"It was always going to be a girl going through magical puberty and uncontrollably poofing into this giant, red, hormonal creature.\" For those curious about how the red panda fits into Chinese mythology, the animal actually doesn't have much of a mythological background. Instead, writer-director Domee Shi told Insider (opens in new tab) that Pixar chose the red panda in part because pandas don't have a deep mythological background. \"I think we wanted the space and the room to come up with a whole legend and a mythology,\" Shi told the outlet. The red panda being a relative clean slate means that the themes of the film can stand on their own, without other popular myths being added to or conflated with the story. Kyubey is a small, cat-like creature. It has white fur and four ears, one pair representing the average cat and the other similar to those of a rabbit's. It has red eyes and golden rings around its long ears. At the bottom of the ears, it appears that it is separated into three, along with a pink-white fade and three red ovals. These ears seem to be what turns the girls into Magical Girls, as seen when it makes Sayaka Miki's Soul Gem. It has a large tail and pointy ears, the inside of them being pinkish peach color. On its back is a hot pink egg-shaped oval that can flip open to remove Grief Seed fragments. Kyubey is a creature who makes contracts with young girls to turn them into \"magical girls\" so that they can fight witches. In this process, the girl makes a wish and Kyubey grants it, but in return, the girl's soul is put in a small gem, which is also the source of their magic. If destroyed, the magic will disappear and the girl will die. If it is corrupted with darkness from grief, the gem will turn into a grief seed and the girl will turn into a witch. This is the ultimate fate of all Magical girls. Much like the rest of its race, Kyubey does not possess any human emotion. As seen in a later episode, Kyubey refers to magical girls' bodies as empty shells while explaining why Sayaka \"died\" when separated from her soul gem. This may also be why Homura Akemi got angry when Madoka Kaname threw it. Kyoko Sakura claims that it tricked and turned them into zombies, though it wasn't its intention. It believed that it was doing a good thing, seeing as it was convenient that they were invincible. Then the fairy godmother said, \"Now run out to the garden and lift up the watering can near the fence. Under it you will find six lizards which you must catch and bring to me.\" These were turned into six footmen, whoimmediately jumped up behind the coach! \"Now,\" said the little old woman as she helped the happy girl intothe coach. \"Have a good time, but remember this: you must not stay oneminute after midnight. If you do, your coach will become a pumpkin again;your horses, mice; your footmen, lizard; you coachman, a rat. And your beautiful dress will turn into rags.\" Mami Tomoe is a magical girl who rescues Madoka and Sayaka from a witch in episode 1. She is already contracted to Kyubey and offers to act as a mentor to the pair should they choose to become magical girls. She is a powerful veteran who fights with summoned muskets and ribbons, as well as a ladylike older sister figure who enjoys tea. Mami, eager to acquire new friends, demonstrates the glory and heady thrill of magical heroism, but also shows Madoka and Sayaka the terrible danger inherent in going into the teeth of a witch's domain. She has a strong sense of personal justice, which keeps her on the path of helping innocents despite gaining little reward for it. This sense of justice also makes it difficult for her to team up with other magical girls for more than short periods, as many will only fight witches for the chance of finding a Grief Seed or in self-defense, and many others are against teaming up with their \"competition\" in hunting witches. These circumstances compound with her lonely nature as an orphan who has trouble making friends at school due to her having little time for much outside of witch hunting, which has turned Mami into a very isolated person looking for friends. While she appears to be mentally strong, Mami is emotionally much frailer than she seems to be. In episode 3 Mami admits it openly to Madoka, and in the manga rendition of said scene she said that she cries a lot when on her own, declaring that she is not a good role model for anyone before Madoka tells her she's not alone. At the end of Episode 1, Mami meets Madoka and Sayaka in the barrier of the witch Gertrud. She saves them from the familiars, chasing off the witch for the time being. Homura appears, and Mami advises her to chase after the witch to prevent an immediate conflict. Mami then introduces Madoka and Sayaka to Kyubey and explains the magical girl system, offering to bring them on her witch hunts to learn and experience the life of a magical girl. Acting as their mentor, she advises them to choose their wishes carefully. Mami searches for and defeats Gertrud upon their next encounter, saving the life of a woman committing suicide. She offers to share Gertrud's Grief Seed with Homura, but is rebuffed. Suspicious of Homura's motives in preventing Madoka from contracting, attempts to resolve differences with Homura fail. As revealed in episode 10, Mami has had multiple different demises in different timelines. Her death in the first timeline was when fighting Walpurgis Night. In the third timeline, upon learning about the fate of magical girls, Mami decides to kill her companions and herself before they can become witches, and Madoka kills her in order to save Homura and herself. Homura wakes up in Mami's apartment, with Mami bringing her a tray of tea and many lecturing words. She asks Homura to transform into a magical girl, which she does successfully, and then to summon her weapon, which she cannot. Mami concludes that the wraiths stole a portion of Homura's power but has no idea on how to retrieve it. Homura is impatient to go and retrieve her powers, but Mami cautions her to play it safe and leave everything up to her and Kyoko. Homura alters her memories slightly before thanking Mami and leaving. The next day, as Mami is coming home from school, she senses the miasma of wraiths before opening her apartment door and seeing her parents. That night, Mami meets with Kyoko at the station and asks her what she would do were she to meet with her dead family again. Kyoko has no answer for her and Mami leaves. As Mami walks through the park at night, Mami is talking to her parents and telling them of the hardships she went through when they died. She transforms into a magical girl and destroys the mutant wraiths that had transformed into her parents. In another part of the park, Mami fires at another mutant wraith that had taken on the form of Kyoko just as it was about to attack Homura. Mami summons several muskets and together her and Homura are able to hold off the wraiths but not for long. After a voice gives Homura advice, the two magical girls are able to overcome the wraiths' time-stopping ability and seemingly defeat the Wraith-Kyoko with her Tiro Finale. After, the real Kyoko appears and informs them of the fake Sayaka and they agree on rules in order to limit their ability to be taken by surprise by the mutant wraiths. After several weeks of searching for the giant wraith, the girls decide to begin their search from the beginning. Mami is upset to find that Homura had been searching for the giant wraith alone and worries that something may happen to her. Homura snaps at both Mami and Kyoko before taking off. Later, Mami and Kyoko run into Homura who has been searching alongside a mutant wraith in the form of Madoka. However, to Mami and Kyoko she looks nothing like Madoka and only has the form of a mutant wraith wrapped around Homura. They transform into magical girls and prepare to rescue Homura, but Homura instead begs the wraith to save her from being a magical girl. The wraith takes Homura's soul gem and teleports them from the area, leaving Mami and Kyoko behind. 59ce067264 https://www.christinayoga.ch/forum/allgemeine-diskussionen/assassin-s-creed-black-flag-how-to-boost-fps

Download Archery Bow Archero Masters Mod Signed Apk DOWNLOAD > https://urlgoal.com/2tlh7d The AccuBow Nano's bow and arrow training system is designed for kids to help them master the basics of shooting. To enhance the experience, the AccuBow 2.0 archery training equipment includes additional features such as a foldable design and a real bowstring with a real D-loop. Compound bows are designed to reduce the force required to hold the string at full draw, hence allowing the archer more time to aim with less muscular stress. Most compound designs use cams or elliptical wheels on the ends of the limbs to achieve this. A typical let-off is anywhere from 65% to 80%. For example, a 60-pound (27 kg) bow with 80% let-off only requires 12 pounds-force (5.4 kgf; 53 N) to hold at full draw. Up to 99% let-off is possible.[54] The compound bow was invented by Holless Wilbur Allen in the 1960s (a US patent was filed in 1966 and granted in 1969) and it has become the most widely used type of bow for all forms of archery in North America. Using archery to take game animals is known as \"bow hunting\". Bow hunting differs markedly from hunting with firearms, as distance between hunter and prey must be much shorter to ensure a humane kill. The skills and practices of bow hunting therefore emphasize very close approach to the prey, whether by still hunting, stalking, or waiting in a blind or tree stand. In many countries, including much of the United States, bow hunting for large and small game is legal. Bow hunters generally enjoy longer seasons than are allowed with other forms of hunting such as black powder, shotgun, or rifle. Usually, compound bows are used for large game hunting due to the relatively short time it takes to master them as opposed to the longbow or recurve bow. These compound bows may feature fiber optic sights, stabilizers, and other accessories designed to increase accuracy at longer distances. Using a bow and arrow to take fish is known as \"bow fishing\". 59ce067264 https://www.shaedaily.com/pt/group/polyam-fam/discussion/28a520a3-5e23-4137-874d-7efd48f60afa

The Men's Health Big Book Of Food Nutrition: ... Download File >>> https://bytlly.com/2tlgOb Manufactured hydrogenated oils, which your body cannot digest, are a serious risk to heart health. Many Americans are still unaware that the one of the most harmful heart-health trends of the last century was the gradual replacement of healthy natural fats with foods such as margarine. Many margarines were formed by hydrogenating or partially hydrogenating Read More We have subjected the science underpinning nutritional health claims in relation to red and processed meat and soy protein to serious scrutiny. We believe the FDA should take account of our methods as it considers food health claims. Yet we care even more about reforming the procedures the FDA uses in general to assess nutritional science. The consequences of FDA regulation are at least as consequential, for they affect the food and drink consumed by every American. So therefore are the consequences of FDA mis-regulation. Inaccurate labels can mislead consumers, not least by encouraging them to adopt fad diets that present health risks. Furthermore, every company in the food sector, which involved $6.22 trillion dollars in annual sales in 2020, depends for its livelihood on accurate labeling of food products. Mislabeling health benefits can give a company a larger market share than it deserves. Scientists conduct statistical comparisons to establish the association between FFQ dietary data items and health outcomes to produce multiple research papers. They then conduct further statistical analyses using meta-analyses of the individual research papers, which combine data from multiple published studies that address a common research question, such as the association between a particular food and a particular disease.20 For example, one meta-analysis combines data of all published studies that examine the claim that high salt intake is associated with gastric cancer.21 The number of possible questions at issue can increase extraordinarily rapidly in a cohort study. Consider this hypothetical cohort study of the relationship between a food substance and a disease or health-related condition: Nutritional epidemiology applies epidemiological methods to the study at the population level of how diet affects health and disease in humans. Nutritional epidemiologists base most of their inferences about the role of diet (i.e., foods and nutrients) in causing or preventing chronic diseases on observational studies. Since the 1980s, food frequency questionnaires (FFQs), which are easy to use, place low burdens on participants, and aspire to capture long-term dietary intake, have become the most common method by which nutritional epidemiologists measure dietary intake in large observational study populations.82 Inaccurate labels can mislead consumers, not least by encouraging them to adopt fad diets that present health risks.92 Furthermore, every company in the food sector, which involved $6.22 trillion dollars in annual sales in 2020,93 depends for its livelihood on accurate labeling of food products. Mislabeling health benefits can give a company a larger market share than it deserves. Figure 3 shows how frequently researchers use FFQ data to investigate 18 separate health outcomes. Scientists appear particularly interested in investigating the association between obesity and particular foods, but they also investigate more unexpected topics, such as the association between particular foods and erectile dysfunction. They are, as a group, thorough in seeking out possible associations. The Johnston research group (Vernooij et al.) recently published a systematic review and meta-analysis of cohort studies pertaining to food health claims of red and processed meat.122 We selected 6 of 30 health outcomes that they reported on for further investigation: all-cause mortality, cancer mortality and incidence, cardiovascular mortality, nonfatal coronary heart disease, fatal and nonfatal myocardial infarction, and type 2 diabetes. We chose the 6 health outcomes studied most frequently in the base study papers. Each of these risk factors is a predictor, each type of health effect is an outcome. Scientists may further analyze an association between a particular food component and a particular health outcome with reference to categories of analysis such as age and sex. Researchers call these further yes/no categories of analysis covariates; covariates may affect the strength of the association, but they are not the direct objects of study. In Figure 13, we have simulated a nutritional epidemiology study using a hypothetical single cohort data set analyzing associations between 5 individual foods and 20 health outcomes. Remember, these numbers were picked at random. 59ce067264 https://www.andreatarocchi.com/forum/welcome-to-the-forum/busty-kerry-merie

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Where Can I Buy Counter Culture Coffee LINK --->>> https://shurll.com/2tlg9K Once an order is processed and shipped, we cannot change the coffee, but with a 72-hour notice from the subscription renewal date, we can exchange your subscription coffee per request by emailing retail@counterculturecoffee.com. We do not accept returns on coffee due to its perishable nature. However, if you have any issues with your coffee or errors in your order, please contact us at retail@counterculturecoffee.com within four weeks of receiving your order, and we will find a solution. If you receive an incorrect order, please check your order receipt and contact our Customer Experience team at retail@counterculturecoffee.com within four weeks of delivery. We will implement an immediate fix to ensure that the correct order is shipped to you as soon as possible. If you are unhappy with a coffee purchased somewhere other than our website, we ask that you contact the original vendor for a return or exchange. If no resolution is achieved, please contact us, and we will do our best to accommodate. Counter Culture has been a leader in the specialty coffee space since their early days. Each coffee that is available on nprcoffeeclub.org has an origin story, where readers can learn more about that specific coffee and partnership Counter Culture has across the value chain. The roaster was one of the first to publish an annual Transparency Report that goes in-depth on their commitment to sustainability and price transparency. \"NPR is proud to offer listeners a new way to support NPR's mission while experiencing delicious coffees from around the world,\" said Jane Scott, Director of Consumer Products at NPR. \"NPR listeners are curious and love to know the story behind the story. They'll be able to do this when they join the NPR Coffee Club, since it will educate and inform members about the history, culture, and creation of coffee.\" Since its founding in 1995, Counter Culture has been a relentless pursuit of coffee perfection through a dedication to real environmental, social, and fiscal sustainability and a commitment to creating cutting-edge coffee people. For more than two decades, Counter Culture has been a pioneer of coffee quality and sustainability. Their coffee department continues to cultivate relationships with growers and organizations around the world in order to build trust, improve quality, and foster transparency. In addition to providing exceptional whole-bean, freshly roasted coffee, Counter Culture trains coffee professionals and hosts public tastings across the country at their 13 Training Centers with locations in New York, NY; Chicago, IL; Boston, MA; Washington, DC; Asheville, NC; Atlanta, GA; Charleston, SC; Emeryville, CA; Los Angeles, CA; Seattle, WA, Dallas, TX; Miami, FL; and its headquarters in Durham, NC. Served in some of the country's top restaurants, Counter Culture Coffee is available in coffee shops, specialty grocers, and online at counterculturecoffee.com. Counter Culture also hosts virtual coffee tastings and coffee chats via instagram. We work with renowned roasters from across the world, elevating their roasting art through our science. Each of our partners are pioneers of coffee culture who wouldn't trust their best beans to just anyone. I'm going to go out on a limb here, but simply based on one bag, this might be the coffee I would choose for espresso, if I could only use one. Counter Culture Coffee's Hologram might just be my new favorite espresso for a go-to, versatile, just plain good coffee. Described on the bag as, \"fruity, milk chocolate, syrupy,\" this might be one instance where a coffee roaster actually sells the description short. Even their more complete description of, \"Hologram is our update of the classic Mocha Java flavor profile. Fruit-forward and chocolatey coffees combine to create something distinctly complex,\" just begins to hit on how complex but approachable, fruity but balanced, sweet but distinct this coffee really is. Additionally, Fair Trade USA was once part of Fairtrade International but became an independent organization so it could certify producers not using a co-op model. This opened the door for large-scale coffee plantations to obtain certification, which many in the coffee industry consider to be counter to the original mission of fair trade. 59ce067264 https://www.womeninuniform.org/forum/welcome-to-the-forum/3-tamil-movie-video-songs

Animation Map Trigger V 1.0.4 DOWNLOAD > https://urluso.com/2tlfPr After reading through the a-frame animation documentation, I was working around with some code in JSFiddle to get an idea of how it actually works. Seemed pretty simple... Until I tried to apply it to my own project. What was working in JSFiddle, doesn't work in my project. The console returns the error: \"document.querySelector(...).emit is not a function\". In the fiddle I was working on, a-frame was set to its 0.3.0 version. I need to use the most recent version - 1.0.4. Is there an alternative to \"emit\" How to prepare your map for this modAn readme file is included in zip file along with a few triggers. If you cant comprehend whats being written then dont bother complaining! I wont bother rewrite it! This page conforms to W3C's \"Web Content Accessibility Guidelines 1.0\",available at -WEBCONTENT-19990505, level Double-A.Form 2: Include, on each page claiming conformance, one of threeicons provided by W3C and link the icon to theappropriate W3C explanation of the claim. Information aboutthe icons and how to insert them in pages is available at[WCAG-ICONS].6. Web Content Accessibility GuidelinesGuideline 1. Provide equivalent alternatives toauditory and visual content. Provide content that, when presented to the user,conveys essentially the same function or purpose as auditory or visualcontent.Although some people cannot use images, movies, sounds, applets,etc. directly, they may still use pages that include equivalent information to the visualor auditory content. The equivalent information must serve the samepurpose as the visual or auditory content. Thus, a text equivalent foran image of an upward arrow that links to a table of contents could be\"Go to table of contents\". In some cases, an equivalent should alsodescribe the appearance of visual content (e.g., for complex charts,billboards, or diagrams) or the sound of auditory content (e.g., foraudio samples used in education).This guideline emphasizes the importance of providing text equivalents of non-textcontent (images, pre-recorded audio, video). The power of text equivalentslies in their capacity to be rendered in ways that are accessible topeople from various disability groups using a variety of technologies.Text can be readily output to speech synthesizers and brailledisplays, and can be presented visually (ina variety of sizes) on computer displaysand paper. Synthesized speech is critical for individuals who areblind and for many people with the reading difficulties that oftenaccompany cognitive disabilities, learning disabilities, anddeafness. Braille is essential for individuals who are both deaf andblind, as well as many individuals whose only sensory disability isblindness. Text displayed visually benefitsusers who are deaf as well as the majority of Web users.Providing non-text equivalents (e.g., pictures, videos, andpre-recorded audio) of text is also beneficial to some users,especially nonreaders or people who have difficulty reading. Inmovies or visual presentations, visual action such as body language orother visual cues may not be accompanied by enough audio informationto convey the same information. Unless verbal descriptions of thisvisual information are provided, people who cannot see (or look at)the visual content will not be able to perceive it. Checkpoints:1.1 Provide a text equivalent for every non-text element (e.g., via \"alt\", \"longdesc\", or in element content). This includes: images, graphical representations of text (including symbols), image map regions, animations (e.g., animated GIFs), applets and programmatic objects, ascii art, frames, scripts, images used as list bullets, spacers, graphical buttons, sounds (played with or without user interaction), stand-alone audio files, audio tracks of video, and video. [Priority 1]For example, in HTML:Use \"alt\" for the IMG, INPUT, and APPLET elements,or provide a text equivalentin the content of the OBJECT and APPLET elements.For complex content (e.g., a chart) wherethe \"alt\" text does not provide a complete textequivalent, provide an additionaldescription using, for example, \"longdesc\" with IMG or FRAME,a link inside an OBJECT element,or a description link.For image maps, either use the \"alt\" attribute with AREA, oruse the MAP element with A elements (and other text) as content.Refer also tocheckpoint 9.1 and checkpoint 13.10.Techniques for checkpoint 1.11.2 Provide redundant text links for each active region of a server-side image map. [Priority 1]Refer also tocheckpoint 1.5 and checkpoint 9.1.Techniques for checkpoint 1.21.3 Until user agents can automatically read aloud the text equivalent of a visual track, provide an auditory description of the important information of the visual track of a multimedia presentation. [Priority 1]Synchronize theauditorydescription with the audio track as percheckpoint 1.4.Refer to checkpoint 1.1 for information about textualequivalents for visual information.Techniques for checkpoint 1.31.4 For any time-based multimedia presentation (e.g., a movie or animation), synchronize equivalent alternatives (e.g., captions or auditory descriptions of the visual track) with the presentation. [Priority 1]Techniques for checkpoint 1.41.5 Until user agents render text equivalents for client-side image map links, provide redundant text links for each active region of a client-side image map. [Priority 3]Refer also tocheckpoint 1.2 and checkpoint 9.1.Techniques for checkpoint 1.5Guideline 2. Don't rely on color alone. Ensure that text and graphics areunderstandable when viewed without color.If color alone is used to convey information, people who cannotdifferentiate between certain colors and users with devices that havenon-color or non-visual displays will not receive the information.When foreground and background colors are too close to the samehue, they may not provide sufficient contrast when viewed usingmonochrome displays or by people with different types of colordeficits. Refer also to checkpoint 10.3.Guideline 6. Ensure that pages featuringnew technologies transform gracefully. Ensure that pages are accessible even when newer technologies arenot supported or are turned off.Although content developersare encouraged to use new technologies thatsolve problems raised by existing technologies, they should know howto make their pages still work with older browsersand people who choose to turn off features. Checkpoints:6.1 Organize documents so they may be read without style sheets. For example, when an HTML document is rendered without associated style sheets, it must still be possible to read the document. [Priority 1]When content is organized logically, it will berendered in a meaningful order when style sheetsare turned off or not supported.Techniques for checkpoint 6.16.2 Ensure that equivalents for dynamic content are updated when the dynamic content changes. [Priority 1]Techniques for checkpoint 6.26.3 Ensure that pages are usable when scripts, applets, or other programmatic objects are turned off or not supported. If this is not possible, provide equivalent information on an alternative accessible page. [Priority 1]For example, ensure that links that trigger scripts workwhen scripts are turned off or not supported (e.g.,do not use \"javascript:\" as the link target).If it is not possible to make thepage usable without scripts, provide a text equivalent with theNOSCRIPT element, or use a server-side script instead of a client-sidescript, or provide an alternative accessible page as percheckpoint 11.4. Refer also to guideline 1.Techniques for checkpoint 6.36.4 For scripts and applets, ensure that event handlers are input device-independent. [Priority 2]Refer to the definition of device independence.Techniques for checkpoint 6.46.5 Ensure that dynamic content is accessible or provide an alternative presentation or page. [Priority 2]For example, in HTML, useNOFRAMES at the end of each frameset. For some applications,server-side scripts may be more accessible thanclient-side scripts.Techniques for checkpoint 6.5Refer also to checkpoint 11.4.Guideline 7. Ensure user control of time-sensitive content changes. Ensure that moving, blinking, scrolling, or auto-updating objectsor pages may be paused or stopped.Some people with cognitive orvisual disabilities are unable to read moving textquickly enough or at all. Movement can also cause such a distractionthat the rest of the page becomes unreadable for people withcognitive disabilities. Screenreaders are unable to read moving text. People withphysical disabilities might not be able to movequickly or accurately enough to interact with moving objects. Note.Content developers should only resort to alternativepages when other solutions fail because alternative pagesare generally updated less often than \"primary\" pages. An out-of-datepage may be as frustrating as one that is inaccessible since, in bothcases, the information presented on the original page isunavailable. Automatically generating alternative pages may lead tomore frequent updates, but content developersmust still be careful to ensurethat generated pages always make sense, and that users are able tonavigate a site by following links on primary pages, alternativepages, or both. Before resorting to an alternative page,reconsider the design of the original page; making itaccessible is likely to improve it for all users.Guideline 12. Provide context and orientation information. Provide context and orientation information to help usersunderstand complex pages or elements.Grouping elements and providing contextual information about therelationships between elements can be useful for allusers. Complex relationships between parts of a page maybe difficult for people with cognitive disabilitiesand people with visual disabilities to interpret. Checkpoints:12.1 Title each frame to facilitate frame identification and navigation. [Priority 1]For example, in HTML use the \"title\" attribute on FRAMEelements.Techniques for checkpoint 12.112.2 Describe the purpose of frames and how frames relate to each other if it is not obvious by frame titles alone. [Priority 2]For example, in HTML, use \"longdesc,\" or adescription link.Techniques for checkpoint 12.212.3 Divide large blocks of information into more manageable groups where natural and appropriate. [Priority 2]For example, in HTML, use OPTGROUPto group OPTION elements inside a SELECT;group form controls with FIELDSET and LEGEND;use nested lists where appropriate;use headings to structure documents, etc.Refer also to guideline 3.Techniques for checkpoint 12.312.4 Associate labels explicitly with their controls. [Priority 2]For example, in HTML use LABEL and its \"for\" attribute.Techniques for checkpoint 12.4Guideline 13. Provide clear navigation mechanisms. Provide clear and consistent navigation mechanisms --orientation information, navigation bars, a site map, etc. -- toincrease the likelihood that a person will find what they are lookingfor at a site.Clear and consistent navigationmechanisms are important to people with cognitivedisabilities or blindness, and benefit all users. Checkpoints:13.1 Clearly identify the target of each link. [Priority 2]Linktext should be meaningful enoughto make sense when read out of context --either on its own or as part of a sequence of links.Link text should also be terse.For example, in HTML, write \"Information aboutversion 4.3\" instead of \"click here\".In addition to clear link text, content developers mayfurther clarify the target of a linkwith an informative link title(e.g., in HTML, the \"title\" attribute).Techniques for checkpoint 13.113.2 Provide metadata to add semantic information to pages and sites. [Priority 2]For example, useRDF([RDF])to indicate the document's author,the type of content, etc.Note. Some HTML user agentscan build navigation tools from document relations described bythe HTML LINK element and \"rel\" or \"rev\" attributes(e.g., rel=\"next\", rel=\"previous\", rel=\"index\", etc.).Refer also to checkpoint 13.5.Techniques for checkpoint 13.213.3 Provide information about the general layout of a site (e.g., a site map or table of contents). [Priority 2]In describing site layout,highlight and explain available accessibility features.Techniques for checkpoint 13.313.4 Use navigation mechanisms in a consistent manner. [Priority 2]Techniques for checkpoint 13.413.5 Provide navigation bars to highlight and give access to the navigation mechanism. [Priority 3]Techniques for checkpoint 13.513.6 Group related links, identify the group (for user agents), and, until user agents do so, provide a way to bypass the group. [Priority 3]Techniques for checkpoint 13.613.7 If search functions are provided, enable different types of searches for different skill levels and preferences. [Priority 3]Techniques for checkpoint 13.713.8 Place distinguishing information at the beginning of headings, paragraphs, lists, etc. [Priority 3]Note.This is commonly referred to as \"front-loading\" and isespecially helpful for people accessing information with serialdevices such as speech synthesizers.Techniques for checkpoint 13.813.9 Provide information about document collections (i.e., documents comprising multiple pages.). [Priority 3]For example, in HTMLspecify document collections with the LINKelement and the \"rel\" and \"rev\" attributes.Another way to create a collection is by buildingan archive (e.g., with zip, tar and gzip, stuffit, etc.)of the multiple pages.Note.The performance improvement gained by offlineprocessing can make browsing much lessexpensive for people with disabilities who maybe browsing slowly.Techniques for checkpoint 13.913.10 Provide a means to skip over multi-line ASCII art. [Priority 3]Refer to checkpoint 1.1 and the example of ascii artin the glossary.Techniques for checkpoint 13.10Guideline 14. Ensure that documentsare clear and simple. Ensure that documents are clear and simple sothey may be more easily understood.Consistent page layout, recognizable graphics, and easy to understandlanguage benefit all users. In particular, they helppeople with cognitive disabilities or whohave difficulty reading. (However, ensure that imageshave text equivalents for people who are blind, havelow vision, or for any user who cannot or haschosen not to view graphics. Refer also to guideline 1.)Using clear and simple language promotes effectivecommunication. Access to written information can be difficult forpeople who have cognitive or learning disabilities. Using clear andsimple language also benefits people whose first language differs fromyour own, including those people who communicate primarily in signlanguage. Checkpoints:14.1 Use the clearest and simplest language appropriate for a site's content. [Priority 1]Techniques for checkpoint 14.114.2 Supplement text with graphic or auditory presentations where they will facilitate comprehension of the page. [Priority 3]Refer also to guideline 1.Techniques for checkpoint 14.214.3 Create a style of presentation that is consistent across pages. [Priority 3]Techniques for checkpoint 14.3 Appendix A. -- ValidationValidate accessibility with automatic tools and humanreview. Automated methods are generally rapid and convenient but cannotidentify all accessibility issues. Human review can help ensureclarity of language and ease of navigation.Begin using validation methods at the earliest stages ofdevelopment. Accessibility issues identified early are easier tocorrect and avoid.Following are some important validation methods, discussed in moredetail in the sectionon validation in the Techniques Document.Use an automated accessibility tool and browser validation tool.Please note that software tools do not address all accessibilityissues, such as the meaningfulness of link text, the applicability ofa text equivalent, etc.Validate syntax (e.g., HTML, XML, etc.).Validate style sheets (e.g., CSS).Use a text-only browser or emulator.Use multiple graphic browsers, with:sounds and graphics loaded,graphics not loaded,sounds not loaded,no mouse,frames, scripts, style sheets, and applets not loadedUse several browsers, old and new.Use a self-voicingbrowser, a screen reader, magnification software, a small display,etc.Use spell and grammar checkers. A person reading a page with aspeech synthesizer may not be able to decipher the synthesizer's bestguess for a word with a spelling error. Eliminating grammar problemsincreases comprehension.Review the document for clarity and simplicity.Readability statistics, such as those generated by some wordprocessors may be useful indicators of clarity and simplicity. Betterstill, ask an experienced (human) editor to review written content forclarity. Editors can also improve the usability of documents byidentifying potentially sensitive cultural issuesthat might arise due to language or icon usage.Invite people with disabilities to review documents. Expertand novice users with disabilities will provide valuable feedbackabout accessibility or usability problems and their severity. Appendix B. -- Glossary AccessibleContent is accessible when it maybe used by someone with a disability.AppletA program inserted into a Web page.Assistive technologySoftware or hardware that has been specifically designed to assistpeople with disabilities in carrying out daily activities. Assistivetechnology includes wheelchairs, reading machines, devices forgrasping, etc. In the area of Web Accessibility, commonsoftware-based assistive technologies include screen readers, screenmagnifiers, speech synthesizers, and voice input software that operatein conjunction with graphical desktop browsers (among other useragents). Hardware assistive technologies includealternative keyboards and pointing devices.ASCII artASCII art refers to text characters and symbolsthat are combined to create an image. For example \";-)\" is the smiley emoticon. The following isan ascii figure showing the relationship between flash frequency andphotoconvulsive response in patients witheyes open and closed [skipover ascii figure orconsult a descriptionof chart]: % __ __ __ __ __ __ __ __ __ __ __ __ __ __100 * 90 * * 80 * * 70 @ * 60 @ * 50 * @ * 40 @ * 30 * @ @ @ * 20 10 @ @ @ @ @ 0 5 10 15 20 25 30 35 40 45 50 55 60 65 70 Flash frequency (Hertz)Authoring toolHTML editors, document conversion tools, tools thatgenerate Web content from databases are allauthoring tools. Refer to the\"Authoring Tool Accessibility Guidelines\" ([WAI-AUTOOLS]) for information about developingaccessible tools.Backward compatibleDesign that continues to work with earlier versionsof a language, program, etc.BrailleBraille uses six raised dots in different patterns to representletters and numbers to be read by people who are blind with theirfingertips. The word \"Accessible\" in braille follows:A braille display,commonly referred to as a \"dynamic braille display,\" raises or lowersdot patterns on command from an electronic device, usually acomputer. The result is a line of braille that can change from momentto moment. Current dynamic braille displays range in size from one cell (sixor eight dots) to an eighty-cell line, most havingbetween twelve and twenty cells per line.ContentdeveloperSomeone who authors Web pages or designs Web sites.DeprecatedA deprecated element or attribute is one that has been outdated bynewer constructs. Deprecated elements may becomeobsolete in future versions of HTML. Theindex of HTML elements and attributes inthe Techniques Document indicates which elementsand attributes are deprecated in HTML 4.0.Authors should avoid using deprecated elements and attributes.User agents should continue to support forreasons of backward compatibility.Device independentUsers must be able to interact with a user agent(and the document it renders) using the supported input and outputdevices of their choice and according to their needs.Input devices may include pointing devices,keyboards, braille devices, head wands, microphones, andothers. Output devices may include monitors, speech synthesizers, andbraille devices.Please note that \"device-independent support\" does not mean thatuser agents must support every input or output device. User agentsshould offer redundant input and output mechanisms for those devicesthat are supported. For example, if a user agent supports keyboardand mouse input, users should be able to interact with all featuresusing either the keyboard or the mouse.Document Content,Structure, and PresentationThe content of a document refers towhat it says to the user through natural language,images, sounds, movies, animations, etc.The structure of a document is how it isorganized logically (e.g., by chapter, with anintroduction and table of contents, etc.).An element(e.g., P, STRONG, BLOCKQUOTE in HTML) that specifies documentstructure is called a structuralelement. The presentation of adocument is how the document is rendered (e.g., as print, as atwo-dimensional graphical presentation, as an text-only presentation,as synthesized speech, as braille, etc.)An elementthat specifies document presentation (e.g., B, FONT, CENTER)is called a presentationelement.Consider a document header, for example.The content of the header is whatthe header says (e.g., \"Sailboats\"). In HTML,the header is a structural elementmarked up with, for example, an H2 element.Finally, the presentation of the header might bea bold block text in the margin, a centered line of text,a title spoken with a certain voice style (like an auralfont), etc.DynamicHTML (DHTML)DHTML is the marketing term applied toa mixture of standards including HTML,style sheets, theDocument Object Model [DOM1]and scripting.However, there is no W3C specification that formally definesDHTML. Most guidelines may be applicableto applications using DHTML, however the following guidelines focus onissues related to scripting and style sheets: guideline 1,guideline 3, guideline 6,guideline 7, and guideline 9. ElementThis document uses the term \"element\" bothin the strict SGML sense (an element is a syntactic construct) andmore generally to mean a typeof content (such as video or sound) or a logicalconstruct (such as a header or list). The second senseemphasizes that a guideline inspired by HTMLcould easily apply to another markup language.Note that some (SGML) elements have content that is rendered(e.g., the P, LI, or TABLE elements in HTML), some are replacedby external content (e.g., IMG), and some affectprocessing (e.g., STYLE and SCRIPT cause informationto be processed by a style sheet or script engine).An element that causes text charactersto be part of the document is called a text element.EquivalentContent is \"equivalent\" to other content when both fulfill essentiallythe same function or purpose upon presentation to the user.In the context ofthis document, the equivalent must fulfill essentially the same functionfor the person with a disability (at least insofar as is feasible, giventhe nature of the disability and the state of technology), as the primarycontent does for the person without any disability.For example, the text \"The Full Moon\" might convey the same informationas an image of a full moon when presented to users. Note thatequivalent information focuses on fulfillingthe same function. If the image ispart of a link and understanding the image is crucialto guessing the link target, anequivalent must also give users an idea of the link target.Providing equivalent information for inaccessiblecontent is one of the primary waysauthors can make their documents accessible to people withdisabilities.As part of fulfilling the same function of contentan equivalent may involve a description of that content(i.e., what the content looks like or sounds like).For example, in order for users to understandthe information conveyed by a complex chart,authors should describe the visual information in the chart.Since text content can be presented to the user as synthesizedspeech, braille, and visually-displayed text, these guidelinesrequire textequivalents for graphic and audio information.Text equivalents must bewritten so that they convey all essential content.Non-textequivalents (e.g., anauditory description of a visual presentation, a video of a persontelling a story using sign language as anequivalent for a written story, etc.)also improve accessibility forpeople who cannot access visual informationor written text, including many individuals with blindness,cognitive disabilities, learning disabilities, and deafness.Equivalent information may be provided in a number of ways,including through attributes (e.g., a text value for the \"alt\"attribute in HTML and SMIL), as part of element content (e.g., theOBJECT in HTML), as part of the document's prose, or via a linkeddocument (e.g., designated by the \"longdesc\" attribute in HTML or a description link). Depending on the complexity ofthe equivalent, it may be necessary to combine techniques (e.g., use\"alt\" for an abbreviated equivalent, useful to familiar readers,in addition to \"longdesc\" for a link to more complete information,useful to first-time readers).The details of how and when to provide equivalent informationare part of the Techniques Document([TECHNIQUES]).A text transcriptis a text equivalent of audio information that includes spokenwords and non-spoken sounds such as sound effects.A caption is a texttranscript for the audio track of a video presentation that issynchronized with the video and audio tracks. Captions are generallyrendered visually by being superimposed over the video,which benefits people who are deaf andhard-of-hearing, and anyone who cannot hear the audio (e.g.,when in a crowded room).A collatedtext transcript combines (collates) captionswith text descriptions of video information(descriptions of the actions, body language, graphics, and scenechanges of the video track). These text equivalents makepresentations accessible to people who are deaf-blind and to people whocannot play movies, animations, etc. It also makes the informationavailable to search engines.One example of a non-text equivalent is an auditory descriptionof the key visual elements of a presentation.The description is either aprerecorded human voice or a synthesized voice (recorded or generatedon the fly). The auditory descriptionis synchronized with the audio track of the presentation, usuallyduring natural pauses in the audio track.Auditory descriptions include information about actions,body language, graphics, and scene changes.ImageA graphical presentation.Image mapAn image that has been divided into regions with associatedactions. Clicking on an active region causes an action to occur.When a user clicks on an active region of aclient-side image map,the user agent calculates in which region the click occurred andfollows the link associated with that region.Clicking on an activeregion of a server-side image map causes the coordinates of the clickto be sent to a server, which then performs some action.Content developerscan make client-side image maps accessible by providingdevice-independent access to the same links associated with the imagemap's regions. Client-side image maps allow the user agent to provideimmediate feedback as to whether or not the user's pointer is over anactive region.ImportantInformation in a documentis important if understanding that information iscrucial to understanding the document.Linearized tableA table rendering process where the contents ofthe cells become a series of paragraphs (e.g., downthe page) one after another. The paragraphs will occur in the sameorder as the cells are defined in the document source.Cells should make sense when read in order and shouldinclude structuralelements (that create paragraphs, headers, lists, etc.)so the page makes sense after linearization.Link textThe rendered text content of a link.NaturalLanguageSpoken, written, or signed human languages such as French,Japanese, American Sign Language, and braille.The natural language of content maybe indicated with the \"lang\" attribute in HTML ([HTML40], section 8.1)and the \"xml:lang\"attribute in XML ([XML], section 2.12).Navigation MechanismA navigation mechanism is any means by which a user cannavigate a page or site. Some typical mechanisms include:navigation barsA navigation bar is a collection of linksto the most important parts of a document or site.site maps A site map provides a global view of theorganization of a page or site.tables of contents A table of contents generally lists(and links to) the most important sections of a document.Personal Digital Assistant(PDA)A PDA is a small,portable computing device. Most PDAs are used to track personal datasuch as calendars, contacts, and electronic mail. A PDA is generally ahandheld device with a small screen that allows input from varioussources.ScreenmagnifierA software program that magnifies a portion of the screen, sothat it can be more easily viewed. Screen magnifiersare used primarily by individualswith low vision.Screen readerA software program that reads the contents of the screen aloudto a user. Screen readers are used primarilyby individuals who are blind. Screenreaders can usually only read text that is printed, not painted, tothe screen.Style sheetsA style sheet is a set of statements that specify presentation ofa document. Style sheets may have three different origins: theymay be written by content providers, created by users, orbuilt into user agents. In CSS ([CSS2]),the interaction of content provider, user, and user agentstyle sheets is called the cascade.Presentation markupis markup that achieves a stylistic (rather than structuring) effectsuch as the B or I elements in HTML. Note that the STRONG and EMelements are not considered presentation markup since they conveyinformation that is independent of a particular font style.Tabular informationWhen tables are used to represent logical relationships amongdata -- text, numbers, images, etc., that information iscalled \"tabular information\" and the tables arecalled \"data tables\". The relationships expressed by a tablemay be rendered visually (usually on a two-dimensional grid),aurally (often preceding cells with header information),or in other formats.Until user agents ...In most of the checkpoints, content developers are asked toensure the accessibility of their pages and sites. However, there areaccessibility needs that would be more appropriately met byuseragents (includingassistive technologies).As of the publication ofthis document, not all user agents orassistive technologies provide the accessibility control users require(e.g., some user agents may not allow users to turn off blinkingcontent, or some screen readers may not handle tables well).Checkpoints that contain the phrase \"until user agents ...\" requirecontent developers to provide additional support for accessibilityuntil most user agents readily available to theiraudience include the necessary accessibility features.Note. The W3C WAI Web site(refer to [WAI-UA-SUPPORT])provides informationabout user agent support for accessibility features.Content developers are encouraged to consult this pageregularly for updated information.Useragent Software to access Webcontent, including desktop graphical browsers, text browsers, voicebrowsers, mobile phones, multimedia players, plug-ins, and somesoftware assistive technologies used in conjunction with browsers such asscreen readers, screen magnifiers, and voice recognition software. AcknowledgmentsWeb Content Guidelines Working Group Co-Chairs:Chuck Letourneau,Starling Access ServicesGregg Vanderheiden,Trace Research and DevelopmentW3C Team contacts:Judy Brewer and Daniel DardaillerWe wish to thank the following people who have contributed theirtime and valuable comments to shaping these guidelines:Harvey Bingham, Kevin Carey, Chetz Colwell, Neal Ewers, GeoffFreed, Al Gilman, Larry Goldberg, Jon Gunderson, Eric Hansen,Phill Jenkins, LeonardKasday, George Kerscher, Marja-Riitta Koivunen, Josh Krieger, ScottLuebking, William Loughborough, Murray Maloney, CharlesMcCathieNevile, MegaZone (Livingston Enterprises), Masafumi Nakane,Mark Novak, Charles Oppermann, Mike Paciello, David Pawson, Michael Pieper,Greg Rosmaita, Liam Quinn, Dave Raggett, T.V. Raman, RobertSavellis, Jutta Treviranus, Steve Tyler, Jaap van Lelieveld, andJason WhiteThe original draft of this document is based on \"The Unified WebSite Accessibility Guidelines\" ([UWSAG])compiled by the Trace R & D Center at the University of Wisconsin.That document includes a list of additional contributors. ReferencesFor the latest version of any W3C specification please consult thelist of W3C Technical Reports. 59ce067264 https://www.toffeesinlondon.co.uk/group/efc-football-fans-team/discussion/c4d9a45e-b6ae-4812-8acd-e394d44572fc

File: Broken.Memories.zip ... Download File > https://geags.com/2tlfvx A .zip or .rar file is a file that stores and compresses one or more other files. Recently, I tried downloading albums from my Flickr account, but I often received the same error message when opening the .zip file: Unexpceted end of archive. Very frustrating; the message was still there even after redownloading that zip file. 59ce067264 https://www.themovement.studio/group/the-movement-studio-group/discussion/96b7058f-d7ad-49e1-95b2-825b998f2ac1

Art Deco House Styles (Living History) Click Here ->>->>->> https://urlgoal.com/2tlfgW Starting in 1925, art deco was a movement that influenced architecture, fashion, art, and furniture in the United States. From 1925 to 1940, art deco houses were embellished with hard-edged, low-relief designs; geometric shapes, like chevrons and ziggurats; and stylized floral and sunrise patterns. The emergence of Art Deco was closely connected with the rise in status of decorative artists, who until late in the 19th century were considered simply as artisans. The term arts décoratifs had been invented in 1875, giving the designers of furniture, textiles, and other decoration official status. The Société des artistes décorateurs (Society of Decorative Artists), or SAD, was founded in 1901, and decorative artists were given the same rights of authorship as painters and sculptors. A similar movement developed in Italy. The first international exhibition devoted entirely to the decorative arts, the Esposizione Internazionale d'Arte Decorativa Moderna, was held in Turin in 1902. Several new magazines devoted to decorative arts were founded in Paris, including Arts et décoration and L'Art décoratif moderne. Decorative arts sections were introduced into the annual salons of the Sociéte des artistes français, and later in the Salon d'Automne. French nationalism also played a part in the resurgence of decorative arts, as French designers felt challenged by the increasing exports of less expensive German furnishings. In 1911, SAD proposed a major new international exposition of decorative arts in 1912. No copies of old styles would be permitted, only modern works. The exhibit was postponed until 1914; and then, because of the war, until 1925, when it gave its name to the whole family of styles known as \"Déco\".[16] Parisian department stores and fashion designers also played an important part in the rise of Art Deco. Prominent businesses such as silverware firm Christofle, glass designer René Lalique, and the jewellers Louis Cartier and Boucheron began designing products in more modern styles.[17][18] Beginning in 1900, department stores recruited decorative artists to work in their design studios. The decoration of the 1912 Salon d'Automne was entrusted to the department store Printemps,[19][20] and that year it created its own workshop, Primavera.[20] By 1920 Primavera employed more than 300 artists, whose styles ranged from updated versions of Louis XIV, Louis XVI, and especially Louis Philippe furniture made by Louis Süe and the Primavera workshop, to more modern forms from the workshop of the Au Louvre department store. Other designers, including Émile-Jacques Ruhlmann and Paul Follot, refused to use mass production, insisting that each piece be made individually. The early Art Deco style featured luxurious and exotic materials such as ebony, ivory and silk, very bright colours and stylized motifs, particularly baskets and bouquets of flowers of all colours, giving a modernist look.[21] New materials and technologies, especially reinforced concrete, were key to the development and appearance of Art Deco. The first concrete house was built in 1853 in the Paris suburbs by François Coignet. In 1877 Joseph Monier introduced the idea of strengthening the concrete with a mesh of iron rods in a grill pattern. In 1893 Auguste Perret built the first concrete garage in Paris, then an apartment building, house, then, in 1913, the Théâtre des Champs-Élysées. The theatre was denounced by one critic as the \"Zeppelin of Avenue Montaigne\", an alleged Germanic influence, copied from the Vienna Secession. Thereafter, the majority of Art Deco buildings were made of reinforced concrete, which gave greater freedom of form and less need for reinforcing pillars and columns. Perret was also a pioneer in covering the concrete with ceramic tiles, both for protection and decoration. The architect Le Corbusier first learned the uses of reinforced concrete working as a draftsman in Perret's studio.[23] Besides the Cubist artists, Doucet brought in other Deco interior designers to help in decorating the house, including Pierre Legrain, who was in charge of organizing the decoration, and Paul Iribe, Marcel Coard, André Groult, Eileen Gray and Rose Adler to provide furniture. The décor included massive pieces made of macassar ebony, inspired by African art, and furniture covered with Morocco leather, crocodile skin and snakeskin, and patterns taken from African designs.[54] Art Deco was not a single style, but a collection of different and sometimes contradictory styles. In architecture, Art Deco was the successor to and reaction against Art Nouveau, a style which flourished in Europe between 1895 and 1900, and also gradually replaced the Beaux-Arts and neoclassical that were predominant in European and American architecture. In 1905 Eugène Grasset wrote and published Méthode de Composition Ornementale, Éléments Rectilignes,[56] in which he systematically explored the decorative (ornamental) aspects of geometric elements, forms, motifs and their variations, in contrast with (and as a departure from) the undulating Art Nouveau style of Hector Guimard, so popular in Paris a few years earlier. Grasset stressed the principle that various simple geometric shapes like triangles and squares are the basis of all compositional arrangements. The reinforced-concrete buildings of Auguste Perret and Henri Sauvage, and particularly the Théâtre des Champs-Élysées, offered a new form of construction and decoration which was copied worldwide.[57] In decoration, many different styles were borrowed and used by Art Deco. They included pre-modern art from around the world and observable at the Musée du Louvre, Musée de l'Homme and the Musée national des Arts d'Afrique et d'Océanie. There was also popular interest in archaeology due to excavations at Pompeii, Troy, and the tomb of the 18th dynasty Pharaoh Tutankhamun. Artists and designers integrated motifs from ancient Egypt, Africa, Mesopotamia, Greece, Rome, Asia, Mesoamerica and Oceania with Machine Age elements.[58][59][60][61][62][63] Other styles borrowed included Russian Constructivism and Italian Futurism, as well as Orphism, Functionalism, and Modernism in general.[34][58][64][65] Art Deco also used the clashing colours and designs of Fauvism, notably in the work of Henri Matisse and André Derain, inspired the designs of art deco textiles, wallpaper, and painted ceramics.[34] It took ideas from the high fashion vocabulary of the period, which featured geometric designs, chevrons, zigzags, and stylized bouquets of flowers. It was influenced by discoveries in Egyptology, and growing interest in the Orient and in African art. From 1925 onwards, it was often inspired by a passion for new machines, such as airships, automobiles and ocean liners, and by 1930 this influence resulted in the style called Streamline Moderne.[66] The event that marked the zenith of the style and gave it its name was the International Exhibition of Modern Decorative and Industrial Arts which took place in Paris from April to October in 1925. This was officially sponsored by the French government, and covered a site in Paris of 55 acres, running from the Grand Palais on the right bank to Les Invalides on the left bank, and along the banks of the Seine. The Grand Palais, the largest hall in the city, was filled with exhibits of decorative arts from the participating countries. There were 15,000 exhibitors from twenty different countries, including Austria, Belgium, Czechoslovakia, Denmark, Great Britain, Italy, Japan, the Netherlands, Poland, Spain, Sweden, and the new Soviet Union. Germany was not invited because of tensions after the war; The United States, misunderstanding the purpose of the exhibit, declined to participate. The event was visited by sixteen million people during its seven-month run. The rules of the exhibition required that all work be modern; no historical styles were allowed. The main purpose of the Exhibit was to promote the French manufacturers of luxury furniture, porcelain, glass, metalwork, textiles, and other decorative products. To further promote the products, all the major Paris department stores, and major designers had their own pavilions. The Exposition had a secondary purpose in promoting products from French colonies in Africa and Asia, including ivory and exotic woods. After the First World War, art deco buildings of steel and reinforced concrete began to appear in large cities across Europe and the United States. In the United States the style was most commonly used for office buildings, government buildings, cinemas, and railroad stations. It sometimes was combined with other styles; Los Angeles City Hall combined Art Deco with a roof based on the ancient Greek Mausoleum at Halicarnassus, while the Los Angeles railroad station combined Deco with Spanish mission architecture. Art Deco elements also appeared in engineering projects, including the towers of the Golden Gate Bridge and the intake towers of Hoover Dam. In the 1920s and 1930s it became a truly international style, with examples including the Palacio de Bellas Artes (Palace of Fine Arts) in Mexico City by Federico Mariscal [es], the Mayakovskaya Metro Station in Moscow and the National Diet Building in Tokyo by Watanabe Fukuzo.[citation needed] Decoration in the Art Deco period went through several distinct phases. Between 1910 and 1920, as Art Nouveau was exhausted, design styles saw a return to tradition, particularly in the work of Paul Iribe. In 1912 André Vera published an essay in the magazine L'Art Décoratif calling for a return to the craftsmanship and materials of earlier centuries, and using a new repertoire of forms taken from nature, particularly baskets and garlands of fruit and flowers. A second tendency of Art Deco, also from 1910 to 1920, was inspired by the bright colours of the artistic movement known as the Fauves and by the colourful costumes and sets of the Ballets Russes. This style was often expressed with exotic materials such as sharkskin, mother of pearl, ivory, tinted leather, lacquered and painted wood, and decorative inlays on furniture that emphasized its geometry. This period of the style reached its high point in the 1925 Paris Exposition of Decorative Arts. In the late 1920s and the 1930s, the decorative style changed, inspired by new materials and technologies. It became sleeker and less ornamental. Furniture, like architecture, began to have rounded edges and to take on a polished, streamlined look, taken from the streamline modern style. New materials, such as nickel or chrome-plated steel, aluminium and bakelite, an early form of plastic, began to appear in furniture and decoration.[103] 59ce067264 https://www.tribe54.com/group/tribe-54-group/discussion/96ddfde7-69d7-4a4f-a6cb-580529b8b0e8

Buying Gold Jewelry On Amazon Download ::: https://urlgoal.com/2tleWH Bottom line: Even with the cons, Amazon is still the favorite choice of most of the jewelry lovers. If you play smartly, you can end up buying amazing jewelry pieces from Amazon and that too, at amazing prices. Every choice that we make in life comes with its own set of cons. In order to paint an unbiased picture, we are also listing down some of the discomforts that you may face while buying jewelry from Amazon: If you are not a jewelry expert, the best way to make sure you are buying genuine jewelry items is by doing a little research. Visit a store or two to get a better idea and then come back home, open up your favorite browser, visit Amazon and get your favorite jewelry item at the most reasonable price! You can filter your jewelry search for certified gold with a warranty for the most peace of mind. Additionally, you can also search for gold by brand if you have a certain jeweler or collection in mind. Keep in mind there is both certified and fake gold for sale on Amazon, so the product listings and reviews are important. Look for certified gold with a product warranty for more expensive, high-quality jewelry from Amazon. Amazon can be considered the bazaar of the internet. They sell everything from books, toys, clothing to electronics and whatever you can think of. When it comes to jewelry, you can find silver, gold, diamonds being listed; separated for men and women, categorized by price and even by occasion of use. You can easily purchase genuine gold on Amazon, including 10k, 14k, 18k, and 24k gold, since the site is home to several gold dealers that offer coins, bars, and gold jewelry. That said, you should only purchase gold that has been certified and comes with a guarantee. In case you're interested in learning more about buying gold on Amazon, you've come to the right place. If you're unhappy with the quality of the gold jewelry you bought on Amazon, you may return it for a full refund. Besides that, Amazon will try to help you resolve any issues you may have with a gold order from a third-party seller if they were not involved in the shipment of the item. You should expect your reimbursement one month after submitting your return. Even though it may seem unfair, this policy aims to safeguard you. To avoid this, conduct adequate research before buying your gold. Buying gold jewelry can be a big investment and with advances in technology in the jewelry industry there are more and more online retailers selling gold jewelry at reasonable prices. You only need to follow through simple clicks and you can easily choose your favorite gold jewelry without having to move an inch from where you are. Lower purities like 14kt gold are mostly used in stone-studded jewelry like diamond jewelry such as diamond rings, diamond necklaces, and diamond earrings. That said, look out for gold jewelry ranging anywhere from 14k to 22k. For instance, gold plated jewelry is different from gold-filled. Gold plated jewelry has a thin crust of gold, plated on top of another base metal. Gold plated items are cheaper but will tarnish with time, showing the base metal. However, other forms of gold plating have specific base metals; vermeil, for instance, has sterling silver as the base metal. They are best used for those allergic to nickel. The best thing about online stores is regular discounts and flash sales. Basically, any online jeweler has a number of deals during the year. Apart from public holidays and Black Fridays, you can land yourself great discounts when buying gold jewelry online. Avoid buying gold jewelry without hallmarks. Some online vendors will try to sell you gold without engraved marks on the piece. Unless you are an expert, avoid buying such golds as you might have trouble in case you decide to resell. 24k gold jewelry may not be the best option. 24 karat might be the purest form of gold, but it is also one of the rarest. Furthermore, pieces made of 24k gold are ductile and might break if exposed to rough conditions. Monogrammed jewelry is always a thoughtful gift. You can wear your own initial or a letter in honor of a loved one. This gold-plated initial necklace is perfect for everyday wear or for a special occasion on men and women. If you love big hoop earrings, but prefer a minimalist vibe, get this three-pair set, which includes gold, rose gold, and silver pairs. The earrings are hypoallergenic and now you'll be prepared to accessorize any outfit. Lala Kent included this set in her list of Amazon fashion essentials. These jewelry pieces have 12,400+ five-star Amazon reviews. Options, options, options. This set is all about options. You get 3 pairs of gold hoop earrings and 3 silver in assorted sizes, so you'll have the perfect jewelry for every look. The set has more than 5,800+ 5-star Amazon reviews. One of the most loved and precious metals, gold has been on the top of our buying list whenever we have wanted to invest in jewellery. A hit during weddings and festivities, gold jewellery defines a whole new level of elegance. It is not only an investment but a versatile fashion accessory that is considered auspicious too. With latest designs and trends, gold jewellery has become all the more attractive and our fascination with it is here to stay. When it comes to buying gold jewellery, most of us prefer to step out to various stores, compare prices and then buy it. But even the best of us might make mistakes while buying gold. So, to keep you on track, we have tips for you to keep in mind while buying gold jewellery. But one piece of jewelry still reigns supreme: the simple gold chain. The type of necklaces we're talking about here are favored by guys like Tony Soprano, who wore his gold pendant necklace while smoking cigars in the pool of his New Jersey mansion, and Michael Jordan, who rocked a duo of curb chain necklaces when he took off from the foul line in '87. (His Airness occasionally paired his with a single diamond cut earring, too.) The woman-owned and -operated brand Catbird makes its jewelry entirely in-house at the Brooklyn Navy Yard. With more than 40 fairly paid jewelers and artisans on-site, the team crafts dainty, delicate, and stunning pieces of jewelry for everyday wear and beyond, as well as stocking other artisan jewelry like engagement and wedding rings. All pieces use recycled gold and conflict-free, responsibly sourced stones. Plus, the Catbird Giving Fund donates one percent of all sales (not just profits!) to organizations like the ACLU and the Food Bank of New York City. For fine jewelry that will last forever, consider Noémie. This luxury brand works directly with makers in Los Angeles and Bangkok for the most gorgeous pieces that involve conflict-free diamonds, AAA gemstones, and recycled 18K gold. By shipping directly to you, Noémie cuts down on costs so many collections are substantially cheaper than other brand-named jewelry stores. While the pieces are still an investment, Noémie offers financing options, free lifetime warranties, and custom designs for the sustainable jewelry of your dreams. The full range of jewelry product types is available through their online store, with prices maxing out around $1000. Diamonds, gold, and even handcrafted products are on offer. While not a place for a seller to make a killing, this market is not to be overlooked, especially if you can create and establish a product that can be mass-produced. Similarly, high-profile international refineries and other legal enterprises, such as transport companies, have been caught buying illegal Venezuelan gold. As InSight Crime reported in June 2021, the owner of South Florida transport company Transvalue was accused of \"facilitating a $140 million transnational illicit gold smuggling operation.\" An unsealed affidavit suggested the gold was likely being \"illegally mined and smuggled out of Venezuela.\" On arrival in the United States, Transvalue moved the gold to a Florida refinery belonging to NTR Metals -- a Miami-based subsidiary of Elemetal, one of the largest gold trading companies in the United States. It was eventually purchased with \"clean\" money by associates who earned commissions by procuring the illicit product for NTR Metals, according to the United States Department of Justice (DOJ). Meanwhile, some refineries have been accused of money and gold laundering. This has been most evident in the case of Suriname, whose government-backed Kaloti Suriname Mint House (KSMH) has faced allegations of money laundering and buying gold from conflict areas for years. When it comes to figuring out what kind of jewelry is sweat- and water-resistant (whether it's rings, necklaces, earrings, or even a medical bracelet), check that it's solid gold, gold filled, or sterling silver. These metals are also hypoallergenic, which means it won't make your skin break out, itch, or turn green. If your jewelry is gold-plated (most less expensive gold pieces are), nickel, copper, or brass, it will likely tarnish and corrode when exposed to sweat or water. Besides its items being sweatproof, Hey Harper has entirely waterproof jewelry. These huggies are made from stainless steel and coated with 14-karat gold PVD (physical vapor deposition, a type of coating technology). Choose from mini, small, or medium hoops. 59ce067264 https://www.hedgehogenterprises.com/group/mysite-231-group/discussion/16bedaa6-1814-492b-b499-7ed02a6fb5a1

Esos Labios Rojos CLICK HERE >> https://tiurll.com/2tlexc Plan nocturno y con ganas de que la fiesta dure toda la noche Solo las verdaderas It girls logran un makeup de impacto. Y cuál es la opción que robará todas las miradas de la noche Un maquillaje con labios rojos, ese clásico elegante que se reinterpreta para darte un toque super glam en esta noche perfecta para salir. Sí ya sabes que el protagonista de hoy serán tus labios, entonces réstale dramatismo a tu mirada sin descuidar factores claves como el delineado y un buen iluminador que te de todo el must de unos ojos nocturnos. Analicemos, Angelina Jolie, a priori con esos labios carnosos el color rojo podía haber quedado bastante vulgar pero nada más lejos de la realidad, su rostro se ve precioso, gran éxito de ello reside en la sobriedad del resto del maquillaje y del vestido elegido en color nude. La veo guapa y atractiva a la vez. Los labios rojos y pelo suelto son una buena mezcla. No quiero decir con esto que no me gusten los labios rojos con pelo recogido porque con el clásico moño de bailarina me encanta por su sobriedad. El color de la boca puede ser muy llamativo si sabemos cómo generar interés en otras personas. A continuación, te mostraremos algunas frases de labios rojos y besos para que encuentres la que más se adapte a tu situación en particular. Esta frase de labios rojos y besos puede tener doble significado. Por un lado, resulta un modo poético de mencionar que una persona que ha besado varias bocas ha roto el corazón de alguien que se ha enamorado. Por otra parte, también puede denotar rasgos de infidelidad. Sin embargo, siempre debe tomarse en cuenta el contexto en el cual se dice una frase. Si te interesa enviar unas bellas palabras a esa persona especial, dale un vistazo a Las mejores dedicatorias de amor cortas. Hay situaciones en las cuales resulta difícil besarse con una persona, ya sea porque tiene una relación de pareja u otra circunstancia que nos aleja de ese ser. De todos modos, este puede no ser un impedimento. En este apartado, te traemos las mejores frases de labios prohibidos para que te inspires a conseguir lo que quieres. La seducción es otra cualidad que se pone en juego a la hora de conquistar a alguien. Si sabemos utilizar los métodos posibles para atraer a alguien, llamaremos su atención. Aquí te dejamos las mejores frases de labios seductores. Esta frase de labios seductores nos incita a que antes de besar a alguien, una de las opciones consiste en realizar una pregunta alusiva para comprobar si la otra persona está dispuesta a dar un beso. Si no fuera así, se correría el riesgo de pasar una situación desagradable. En este artículo de Frases para amigos con derecho, verás algunos pensamientos geniales para acercarte a esa persona que te gusta. Es importante que las fotos de labios contengan mensajes que atraigan a los espectadores. Cuando es así, suele producirse un gran interés ante las frases que presentan más de un sentido y pueden ser interpretadas de diversas formas. Por eso, esta es una de las mejores frases para fotos de labios. En este sentido, desde Frasess.net queremos dejarte esta recopilación de Frases de publicidad para vender. Actrices, cantantes, y un sinfín de famosas, alguna vez en su vida, nos han mostrado cómo llevar y brillar con unos labios rojos y por eso hacemos este pequeño homenaje a los que más nos han cautivado a lo largo de su amplia historia. El tipo de boda que tendrás, hasta la estación del año en la que será la boda, son importantes para lograr un look adecuado. Por ejemplo: en otoño podemos usar looks ahumados, en tonos oscuros y esos labios rojos seguirán destacando y nunca quedarán mal. El rubor es un elemento importante en todo maquillaje, te hace lucir linda y saludable, pero recuerda que llevas labios rojos y si recargas el blush, en automático lograrás un efecto rosado en toda la cara. Durante mucho tiempo se ha jugado al famoso rubias versus morenas con este tema, siendo las morenas de piel blanca las que se llevaban todos los premios. Sin embargo, esto es simplemente un mito urbano que en los últimos años ha perdido fuerza. Hoy por hoy casi cualquier mujer puede llevar los labios rojos! Pero si es cierto que este exigente tono tiene alguna que otra excepción que deja bien claro a quienes no les favorece para nada. No obstante, lo más importante antes de maquillar los labios es que estén bien cuidados e hidratados. Esto hará que el color se mantenga intacto más horas. La maquilladora de L'Oréal propone, \"tratar de exfoliarlos y eliminar los pellejitos para conseguir una superficie lo más lisa y perfecta posible. De este modo el acabado será más duradero\". Otro consejo consiste en que \"una vez maquillados, se hidraten con un suave toque sólo en el centro del labio y distribuirlo con cuidado\". 59ce067264 https://www.landmarksdesign.com/forum/untitled-category/steep-steps-ac-tp-bypass-1

Business English Writing CLICK HERE https://tiurll.com/2tlefW In modern business writing, it is a good habit to use simpler language. This is good news for English learners. It means you do not need to learn complicated vocabulary to write well! Practise writing with your classmates in live group classes, get writing support from a personal tutor in one-to-one lessons or practise writing by yourself at your own speed with a self-study course. The best way to go to learn business writing is to sign up for an online course. Choosing a free course or one that costs money will depend completely on your means and your areas of weakness. Easy to navigate, Purdue is a handy site to check if you need a refresher. It has loads of references that cover everything from the mechanics of writing to writing letters of recommendations to preparing an application. Alison is a world-famous learning platform and has around 20 courses geared towards effective English speaking and writing. Tailored to niche needs, people who complete courses through Alison even receive diplomas you can highlight on your resumes. This course aims to improve your Business English writing skills by developing your use of vocabulary, grammar, understanding of different business writing genres, and your ability to write professional business documents. Skills learned in this course will be used in the cross-cultural communications course and help prepare you to produce the professional business documents in the Capstone project. Welcome to Week 2! This week we will cover Module 2 where we introduce you to basic genres of business writing and the writing process. You will also be introduced to vocabulary and language skills common to business communications. Welcome to Week 3! This week we will cover Module 3 where we introduce you to emailing and the language skills you will use in business emails. You will also be introduced to vocabulary and language skills common to business communications. Welcome to Week 4! This week we will cover Module 4 where we introduce you memos and how to write according to audience and purpose. You will also be introduced to vocabulary and language skills common to business communications. Welcome to Week 5! This week we will cover Module 5 where we introduce you to executive summaries and language skills you will use when writing persuasively. You will also be introduced to vocabulary and language skills common to business communications. This Specialization will introduce non-native speakers of English to methods for developing English language and communication skills for the workplace, doing business, cross-cultural understanding, and business case study analysis. You'll apply these skills in the final Capstone Project by analysing a current business case study and providing recommendations to a target audience in both presentation and written formats. You probably write on the job all the time: proposals to clients, memos to senior executives, a constant flow of emails to colleagues. But how can you ensure that your writing is as clear and effective as possible How do you make your communications stand out To make his writing more direct and effective, David asked several senior colleagues for all of their past presentations and reports so that he could mimic key elements of their format and style. He also copied trusted colleagues who were particularly skilled communicators on important emails and asked for their feedback. In finding out how to improve writing skills for business writing in English, there are a number of important points to bear in mind. Some are specific to English, some reflect writing skills required in business across the world. There are some Business English phrases and techniques which a person who is not a native speaker could very usefully learn and understand to improve their writing skills in Business English. Remember, the recipient of your email is going to be a) a very busy person and b) somebody in receipt of many emails each day. The following key points will help you to improve your writing skills in emails: Start with your heading, or subject. Keep it to eight words maximum in a way that will tell the reader what you are writing about. For example: Meeting at 3.00pm For All. Conference Room. There can be no doubt about that. Use business headed paper, or if you do not have this, write your address in the top right-hand side. Level with where the heading or your address finishes, you should write the name and address of the recipient. This will be on the left-hand side, and will have the date underneath. If you do not know the person to whom you are writing, you should begin the letter with: Dear Sir or Dear Sir/Madam. This kind of letter ends with: Yours faithfully, then your name and signature. If you do know the person you are writing to then you may begin the letter with: Dear Mrs Smith or Dear Jill. As it is a formal, business letter this form should end with: Yours sincerely, then your name and signature. Writing business emails can be time-consuming, but learning some useful phrases will save you lots of time. In this post, you will find over 150 useful email phrases to help you make your emails more varied and rich. We've divided them into three main categories: opening lines to start your email, body lines to convey the message, and closing lines to finish off. Before we start, below is a quick template you can use for your professional emails. Following a stantardinzed email template and a few easy email tips will help your readers follow your message easier. Business email messages should be structured and to the point. The easier it is for your reader to understand your email, the likely they will be to act on it. Here's a simple email writing format you can steal: The term business letter makes some people nervous. Many people with English as a second language worry that their writing is not advanced enough for business writing. This is not the case. An effective letter in business uses short, simple sentences and straightforward vocabulary. The easier a letter is to read, the better. You will need to use smooth transitions so that your sentences do not appear too choppy. Your last paragraph should include requests, reminders, and notes on enclosures. If necessary, your contact information should also be in this paragraph. Here are some common phrases used when closing a business letter: The modern workplace requires that employees be adaptable. The Bureau of Labor Statistics conducted a long-term study that showed people held 11.7 jobs between the ages of 18 and 48, and those numbers are increasing with people moving between jobs more frequently every year. It is crucial that we prepare our students not just for one industry, but rather arm them with the transferable skills of critical reading, writing, analysis, production, theory and aesthetics of new forms in digital media and business. Students will leave this major option with the skills that are in the highest demand in all fields today. In this English major option, students are trained in the critical reading, analysis, production, theory and aesthetics of new forms in media and business. These forms include but are not limited to social media, business writing conventions, modes of digital storytelling (i.e. audio and video essays, podcasts and wikis), digital archives, web design, and online communities and interaction. Students are also trained in analysis through traditional humanistic literature and they are expected to fulfill the core learning objectives shared by all English major tracks. These include: Solid business writing skills are of increasing importance in the digital age. Learning the core basics of effective written communication will put you in an advantageous position over your competitors, helping you communicate more effectively with your customers/clients. Better written communication translates into better relationships, which in the business world translates to increased success. 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